A Mirror Called Haiti

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I have spent over a week trying to put my trip to Haiti into perspective. I have been searching for the words that would not only convey my affinity for the nation but would also speak to the very real feeling of precariousness that is currently gripping her. What I have come up with is this—close your eyes and imagine that Deep East Oakland is an entire country. Now open them. What you see is Haiti.

 

There is at once so much pride in the people, so much righteous resistance in the history, an enormous amount of potential, and a nearly extreme amount of dysfunction. One day after going up a mountain to see the very stunning Citadelle Laferrière and the ruins of the Sans-Souci Palace we stopped by a cultural center in the town of Milot. They welcomed us with African drummers and upon entering we washed our hands with the assistance of a female member of the center. Much to my surprise they were in the process of cooking for us. The lead organizer of the center, a black Haitian man of about 60, explained to us that he didn’t know what exactly was being prepared because he didn’t know what the fisherman caught that morning. He went on to say that they had been without power for several days—which isn’t unusual for Haiti. What that means, he went on, is that we don’t have a refrigerator therefore we must eat whatever we can catch on any given day. Then the next day we fish again.

 

After giving us an introductory history lesson on the town of Milot the food was brought out. It consisted of fried plantains, beans, rice, and two different kinds of fish one grilled and the other fried. The fish was extraordinary. It was way better than anything you can buy at a grocery store. What I found to be even more amazing is that even after having seconds I still felt very light. Unlike the meat here in the U.S. the food didn’t weigh me down at all.

 

As we we ate the food the lead organizer thanked us for coming. I was accompanied by a small group of African-Americans and one Haitian tour guide. The people at this center had cooked for all of us, went out of their way to make us feel special and this man still insisted on thanking us for visiting Haiti despite the unrest that was taking place all around the country. I felt a sense of kinship and belonging that one can only feel in a predominantly black country. It was almost emotionally overwhelming for me.

 

Then on the way back to our hotel the tension of national instability grew thick once more. Apparently, the disgruntled police force set several fires on one of the two bridges that leads to Cap-Haitian. They were upset because they believe they are being underpaid and instead of paying them the government was set to spend what the police thought was an excessive amount of money on the annual Kanaval celebration. So they decided to do everything in their power to shut Kanaval down (ultimately, they succeeded). We traveled over the other bridge which they had emptied several dumpsters full of trash and debris upon in an attempt to block it as well. Luckily for us we were in a larger vehicle that had the ability to drive over the makeshift roadblock. While sitting in the backseat the bumps from driving over all of the junk made me feel as though I was off-roading up a mountain in a Jeep—it was wild as hell but we made it back safely to the hotel.

Growing up in East Oakland I remember parties being shut down just like Haitian Kanaval while I was in line waiting to get in because a kid got jumped or someone pulled out a gun. I remember sideshows being descended upon by police the second I turned my engine off and got out of the car. I remember, on multiple occasions, feeling like my community couldn’t have anything. And when we would get something nice such as a new store, apartment building or transit center, I would just wait for it to be torn up by my people. These same feelings washed over me on the way back to the hotel that afternoon. And they troubled me in the exact same manner that they did when I was a teenager in the ghetto.

 

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My trip to Haiti was full of black power highs and post-colonial lows. There were moments of bliss when I would be in total awe of the oldest black republic in the western hemisphere that would be immediately followed by the fear that it could all implode at any given second. Haiti, in this regard, is not unlike the South Side of Chicago or the West Side of Philadelphia or Deep East Oakland. Haiti does not pretend to be paradise. Haiti is no tropical escape for black people either. Haiti is a mirror for the descendants of African slaves. And finally, Haiti does not lie to make tourists feel more comfortable. It is for these reasons that I love her.

-Roger Porter

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Utah

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The humongous state of California can feel claustrophobic at times. As of late these times have been occurring much more frequently. A few weeks ago, I sought to leave. I felt like if I didn’t cross the state line then bad things would happen to me. I was imploding. There’s really no other way to put it. So, I headed east. And quite randomly or maybe one can say it was by god’s design, I wound up in Utah. As I traveled through the state I was shocked by all of the natural beauty. The red clay was very reminiscent of Arizona but it wasn’t as brightly colored. It was more subdued. The landscape on either side of the highway was so striking and the canyons were so picturesque that I found myself pulling over at every looking point. Each time I stepped out of the vehicle I further internalized the fact that I was a long way from Oakland, CA.

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The beauty of the state was amplified even further when I got to Bryce Canyon National Park. As I admired the shapes of the rocks in the canyon from the top of a trail something told me to look up into the sky and when I did I was forever changed. The perfectly formed clouds stood still and they accentuated the endless blue surrounding them. I’m from the west coast so I’m used to looking out at the Pacific Ocean and feeling like a speck of dirt amongst its vastness. I have never, until that moment, looked toward the sky in the middle of the day and felt the same way. There was so much sky. It was unpolluted. It was clear. It was humbling as well as comforting. I trusted the sky. I felt protected by it. I was enamored with its unwavering presence. I thought of my father and my grandparents. My friends and all of my ancestors and it brought contentment. I knew that their souls were there and I knew that mine would be there one day as well, and I was ok with that. I was at peace with where I was and where I would ultimately end up.

 

I took a picture which is my attempt to capture something that could never be captured. The peace that I gained in that moment has been a lasting one. I never thought that Utah would be the place that I would go to heal but that’s how it played out. And now whenever I feel downtrodden I stop and look up before I continue my life.

Out on the Balcony

I was on my bed considering my journey, contemplating all of the things that had taken place in order for me to arrive in the space that I currently occupy. Then I heard a violent noise. The noise seemed to vibrate the windows and smash against my back door. Then I heard the sound again and it had a similar effect on the structure of the house, except this time it was a little bit louder. I gathered myself and rose slowly, contemplating whether or not to get a weapon before I walked in the living room area to see what was going on. I opted not to. I took silent ninja steps to the window and peered out of it to see that the cause of my consternation was the Atlantic Ocean crashing against the Jamaican shore which was just a few feet from the Montego Bay estate that I was staying in for the night.

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I very rarely leave the United States. I almost never kick back and enjoy life, but last week I was on a solo trip to Jamaica when I saw those waves crashing against the beach and then rolling back into the sea. The rhythm began to saturate my soul. The consistency, the majesty, the power of it all—it got me. I stepped out on the balcony in astonishment. I submitted to the moment. I looked but did not move. I forgot that I was breathing. I appreciated the world and I told myself, I deserve this.

-YB

 

The GO-GO Sound

I was approaching Baltimore Harbor when I heard the same syncopated rhythm that I heard intermittently on my one hour journey from Washington, D.C. Except this time it was live! It was right before my eyes so I could see the masterpiece as it was being created with two drumsticks, three buckets, a trash can, and a basket from a grocery store. What the man was creating was a sound called GO-GO. It made me want to dance, pray to my ancestors, and take the finest sista I saw back to my dingy little room at the Motel 6. It made me feel at once liberated and a slave to all my passions. It reminded me that I was an African, but also that I was very far from home.

They don’t play GO-GO music at all in the San Francisco Bay Area. I mean like never. I only know what it is because several years ago I asked a friend of mine that had gone to Howard what it was like to party in D.C. and he told me “The girls out there really like GO-GO.” I looked at him quizzically thinking that he was saying that they were strippers. I kept thinking GO-GO dancers and for some reason I conjured up Demi Moore’s dance routine in the movie “Striptease.” Thankfully he began to explain it to me. “It’s like that Amerie song. That’s kind of like GO-GO…ok ok you remember that song ‘Doing the butt’? Now that song is definitely GO-GO” It was only then that I understood. But that song was from the “School Daze” soundtrack. I think I was in the 2nd grade when that came out and after they stopped playing it on the radio I never heard anything else like it. But that was obviously because I had never been to Baltimore or the DMV.

So “Doing the Butt” isn’t just a song but rather it’s part of a movement that has been going strong for several decades. Like stepping in Chicago and Going Dumb in the Bay, GO-GO is a D.C. thing. And as I listened to it I felt very deprived. Why hadn’t I known about this? Why hadn’t this sound made its way to the bay like Trap Music, House Music, or Dance Hall? I was so enamored with how the continent of Africa had touched the region where I was vacationing. The sound I was hearing was so ill, it was so lit, it was so pure. I was feeling it. I put a little money down in front of the musician and left on my way to get crab cakes which were better than the ones they sell in the Bay Area but definitely didn’t live up to the hype as far as all of the fantastic things that I had heard about them, but there were no expectations for my experience with GO-GO. GO-GO somehow remains D.C.’s secret. GO-GO is an uncorrupted manifestation of ancient African musical expertise. I had to travel across the country to hear this sound and the journey was worth it.

HerStory

EPIC! That’s the first term that comes to mind when I think about the long journey of bringing “Herstory” to fruition. It was March 30, 2012 when I sat down to conduct my first interview with Niema Jordan in my shabby East Oakland living room. When we finished recording our conversation I thought the project, in its entirety, would be complete within two months. I was hella wrong.

So many bad things happened that my selective memory won’t even allow me to recall most of them. I do remember amicably parting ways with my original editor halfway through the project. I do remember at least two other people committing to the project only to back out once they were able to truly internalize the fact that I could not pay them. And well, everything else is a blank until I reconnected with a fellow Skyline High School graduate who possessed the skill set and the passion to bring Herstory back to life. It was February 11 when she committed to the project. Now seven weeks later it’s done.

I’m high right now. I mean I’m super elated. I’m glad that Herstory survived all of the abandonment that it was exposed to in its infantile stages. I’m glad that beauty still exists in this world and I am so grateful that I have crossed paths with three super dynamic black women that opened up to me and told me their stories. With no further ado this is Herstory: