Hollywood distorts just about everything. When wealthy people get together and decide to green light a movie they do so because they believe it will make them money, not because a particular version of the truth needs to be told. With money as the motivating factor often times beautiful people with minimal talent are casted in leading roles, scripts are seriously altered in an attempt to make events more melodramatic, and sometimes very righteous people are completely removed from history.
It wasn’t until my first year of graduate school during a class discussion that I learned that the lady who cradled the head of Malcolm X while he lay dying was not his wife Betty Shabazz but rather it was Japanese-American activist Yuri Kochiyama. Kochiyama remained a fixture on the Bay Area civil rights scene well past her 90th year. As a matter of fact I saw her at the world premiere of a documentary on the life of Richard Aoki at The Grand Lake Theater in 2009. Yuri Kochiyama died in Berkeley on June 1, 2014 in Berkeley, CA.
I think about how a more realistic depiction of the death of Malcolm X would have changed the black and white perception of The Civil Rights Movement. What if Lucy Liu would have been the lady weeping over Denzel Washington’s body instead of Angela Bassett? Would that have been too difficult for the American public to digest? Is reality too complicated to understand? Americans love looking at the real world as if it were a comic book—Black vs. white and good vs. evil—which always ends in an overly simplistic view of society.
African-Americans should realize that the Rodney King Riots in 1992 probably would have been suppressed within a day if it were not for the general empathy and participation of the Spanish-speaking citizens of Los Angeles. Similarly Mexican-Americans should understand that the United Farm Workers of America would not have been nearly as powerful were it not for the involvement of Filipino farm workers who also suffered under the same wretched conditions as day laborers in California and who had also had enough of it.
So Spike Lee made an executive decision to insert a sobbing Angela Bassett into a death scene instead of writing an Asian-American actor into the script. That doesn’t minimize the accomplishments of Yuri Kochiyama, however, it does reduce the potency of her legacy. After all Americans learn their history from the movies not from books. It’s rather pathetic that a woman can be down for the cause until the age of 93 and most conscious people don’t even know who she is. The power of Hollywood is immeasurable
RIP Yuri Kochiyama
I miss your posts,YB; You’re very gifted.I hope all is well in your world.
I will be back sooner than you know it. Thanks for checking in on me.